What To Do With That Digital Scrapbook Layout

What To Do With That Digital Scrapbook Layout
One of the most commonly asked questions I hear especially from beginners is “What can I do with my digital scrapbook layout it’s finished. Digital scrapbooking offers the freedom and versatility which allows for you to do many different things after you are finished. Not forgetting that digital kits can be used many times unlike traditional scrapbooking products. Here are just a few suggestions of what you can do with your layouts below.

Share in a Gallery or social media
Many of our forum members will upload their finished layouts to our online gallery. There is a tutorial on how to upload to our gallery in the forum under Gallery & Forum Information.

Open, Semi-Open, Closed Galleries
Many sites restrict uploads to layouts that only have their store’s products, these are known as closed galleries. Other sites will require that a certain percentage of your layout include their store’s products. These are referred to as semi-open galleries. Pixels & Art Design is currently a semi-closed gallery. A few sites will allow you to upload any layout using any store’s products. These are referred to as open galleries.

Resizing your layout for uploading
The majority of galleries have size restrictions established for the layout you are going to upload. Before you upload your layout to a gallery, find out what these restrictions are. Pixels & Art currently requires layouts to be 600 x 600 pixels and 200 KB or smaller.

Crediting the designer
You will find that most galleries give you the option to credit the designer or designers who created the product you used in your layout. We do require uploads to list which Pixels & Art product they used but you are welcome to credit the other design’s you used as well.

Print off to frame or give away
Some of my layouts I have had printed onto a wall canvas and these look fabulous. My layouts are usually pretty minimalistic and are beautiful in a 12 x 12 frame on the wall. You can purchase 12 x 12 frames at a lot of different places. There are several companies that have embraced 12 x 12 printing. A couple of these are Shutterfly, Snapfish and Persnickety Prints.

Print off for a photo or brag book
Printing off photo’s for a brag book is one of the most popular of choices. The beautiful thing about digital scrapbooking over traditional scrapbooking is that when you create a book, you can create multiples instead of just one. You no longer have to pick which family member is going to get a copy of the scrapbook you created.

Saving to DVD
Another option available is saving your layouts to a DVD to create a lovely video movie, by adding a background, some music and different transitions is a beautiful way to share your layouts with your family members.

All of the printing companies mentioned above also prints photo books. Each will most likely have special tools that you can use to construct the flow of the book. Keep an eye out for coupons as almost all of them offer coupons from time to time. They will also have the option to create your own canvas or small gifts using your layouts/images.

How To Create A Bokeh Overlay

Create and Apply Bokeh Overlays In Photoshop

Bokeh, also known as Boke and is one of the most popular subjects in photography. The reason why it is so popular is because bokeh makes photographs visually appealing, forcing us to focus our attention on a particular area of the image. The word comes from the Japanese language, which literally translates as blur. In this tutorial, I will show you how to create a bokeh using a blurry photograph to create the effect, save it as an overlay and then applying it to a second photograph. This tutorial explains how to create a bokeh in both PS and PSE.

So for this tutorial, you will learn how to create and apply bokeh overlays using your blurry photos.

The easiest way to create bokeh overlays in PS is to use the Field Blur filter and PSE users it is Lens Blur.

This blur contains an effects fly out tab that allows you to create bokeh effects out of the bright areas of the images.

The contents of the photo are not important, as long as the images are not too bright.

Creating The Bokeh Effect

PS users will select the Filter tab, Blur and then Field Blur.

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PSE users will select the Filter tab, Blur and then Lens Blur.

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The effects tab opens to the right. Here you will need to adjust the Light Bokeh, Bokeh Color, and Light Range to create the bokeh effect on your photo. To adjust the size of the bokeh add or subtract Blur by using the Blur slider.

Increasing the Blur slider will make the bokeh light circles larger. Increasing the Light bokeh will create more light circles and increasing the bokeh colour will make the light circles take on some of the colours from the image itself. Moving the sliders around will give some pretty amazing effects so I do suggest that you have a play around with the sliders until you find something that you really like. Your photograph should result with having large or small blurry circles of light or colour.

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You can see from my two images the different effects you can achieve.

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Save your image as a jpeg somewhere where you can find it easily. Now open the layout image that you would like to apply the bokeh too.

Place your bokeh overlay as the top layer and resize it as necessary to cover the whole image. With the overlay selected and using the blending modes select the screen mode.

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Create a layer mask so you can brush out the parts of the overlay you don’t want to keep. Below, notice that the word tab is covered by the overlay, which will need to be masked out.

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With your layer mask selected in the layers panel and using a black soft-edged brush start to brush out the unwanted areas of the overlay. The opacity of the overlay can be lowered to your own taste.

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Completed Layout

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If you would like to download the PDF file for this tutorial use this link.

How To Create A Bokeh Overlay

Layered Photo Masks

A quick tutorial on how to use layered photo masks, for the tutorial I created a Christmas Card but the technique can be used on any layout too.

Layered Photo Masks

How to use them and how to create a quick and easy Christmas card.

For this tutorial, I used Christmas Layered Photo Masks and Santa’s Eve by Wisteria Moments.

Make a new document approximately 5 x 7

Open your background paper and drag it into the layout. I used a paper from Santa’s Eve kit.

Now open the Christmas Layered Photo Mask. This will open a new window, which will contain three layers for the mask.

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In the layers palette select all three layers.

To do this, click once on the top layer to select it, then hold down your Shift key and click on the bottom layer. This will select the top layer, the bottom layer, and all the layers in between.

Drag all selected layers into your new document and adjust the size accordingly.

Bring the photo into your document and place above the black layer mask named photomask as shown in the images below.

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Resize the photo and then clip your photo to the mask. To do this, select Layer in the menu bar and then select Create Clipping Mask. Or to use the keyboard shortcut it is – Command-Opt + G for (Mac Users) and Control-Alt + G (Win Users)

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To finish just add some embellishments and word art. I also added a white stroke around the background paper and elements from Santa’s Eve.

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Download the PDF file here.

Christmas Bash

Have you been to the forum yet, we have lots going on in the forum at the moment. Lots of fun games, challenges and free gifts. Our secret Santa is almost over but you won’t want to miss out on his fabulous surprises.

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Not forgetting the great sales in the store too, just a few days left to grab that Christmas bargain.

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Featured Designer & New Release

Today, we are pleased to announce our designer of this month…  one of our
awesomely talented designers… we will help you get to know her a little bit better.

NutkinTailz Design aka Lesley has been on the design team at Pixels from the very beginning we are so  excited to have the chance to tell you a
little more about her. 

You can read the complete feature here in our newsletter.

Nutkin Tailz Featured Designer.

Plus a new release by Nutkin Tailz this gorgeous kit

WIND IN THE REEDS

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Wind In The Reeds aaah…made me immediately think of Wind in the Willows so I have based my mixology kits around this theme. Lovely colours of brown, burnt orange and green. 4 12×12 Papers and 20 Elements, all items 300 dpi for perfect print quality. Personal Use Only.

Super Value Bundle over $20 worth of product for only $10.00

The bundle consists of the following:

Mini 1

Contents: 4 lovely 12×12 richly textured papers, 1 bunny, berries, butterfly, daisies, flower, gingham bow, set of leave, oval frame, a piece of tape and a tied button.

Mini 2

Contents: 4 lovely 12×12 richly textured papers 3 ring frame, flowers, grasses, sitting bunny, straight lace, string bow, string stitches, tab, watering can

Mini 3

Contents: 4 lovely 12×12 richly textured papers, 1 branch, buds, hanger, lace, leaf, seed pod, raffia, rectangle frame, mushrooms, wagon wheel

Elements Pk 1 Contents: blossoms, bow, branch, bug, butterfly, flower, frame, gingham ribbon, lily, metal corner, mushrooms, petals, raffia bow, stitches, squirrel, stick, string knot, sunflower, toad, vine

Elements Pk 2 Contents: bird, cog, daisy, flower, folded burlap, grass, hedgehog, kitty, lamp, leaves, lily pad, long bow, loop, mr fox, net, rushes, small bow, staples, string, wattle, wooden lace frame

6 wonderfully delicious torn and worn papers, use them alone or stack em up to create a unique look to your scrap layout.

8 solid papers to coordinate with Wind In the Reeds Mixology kits.

4 Gorgeous accents

Now some CT Layouts by Lisa and Karyn – using Wind In The Reeds

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Black Friday Sales Have Started

Black Friday Sales have started…

Check out these awesome sales in our store this weekend.

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My Life Challenge

Let’s take the complication out of scrapbooking and give you a simple system to document your story while still living your life. Join us in the forum with our Designer Pat for the My Life Challenge, you will be inspired to cultivate a good life and record it.

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Designer Feature

Today you get the opportunity to get to know Caroline, also known as Caroline B.

I’ve had the chance to get to know Caroline over the past couple of years since Pixels & Art opened its doors, and not only is she an amazing, kind, and generous person… she is an incredibly talented designer. Her products are whimsical, unique, and Artsy… with a perfect mix of traditional paper-style designs and hand drawn graphic elements. Her kits include amazing hand drawn elements, realistic flowers, traditional flat elements. One of my favourite kits by Caroline is her recent kit Dulce which was featured in our Feature Newsletter back in July.

This is just a small sampling of the inspiring product offerings you’ll find in her store here at Pixels & Art Design.

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We asked Caroline some questions about her life outside of the crafting world so we can get to know her even better! Here’s what she had to say…

I am French, 49yo, 1 lovely and extra-ordinary daughter, Léa, 14yo, no more cats (for the moment but I am a cat-a-holic)… I love drawing, writing, photography (I just open a new photography store) and travels.

Tell us five fun facts about yourself

We move every 6 years (not so fun when you know I have around 1 ton of books)
I am Doctor in Art history (Ph.D)
I am extremely shy, not self confident, and obviously, stressed.
(my life is not exactly fun now so, I have hard time to find 5 fun facts…)

Tell us about your favourite things

Tea and coffee, my computer, peanut butter, learning and of course DH and DD!

Tell us about places you have visited.

USA (California, Utah, Nevada, Texas, New Mexico, Louisiana…), Taïwan, Germany, Netherland and … France

Which is your favourite kit.

Always the last one.

DULCE 

I begin this kit because my friend and CT Tam told me that she likes my drawings, I enjoy doing it and I am always curious to see the layouts that could be done with my kits, Tam and Christine have done some great layouts with Dulce.

Enjoy 40% discounts at Caroline’s store 

Valid from 31st August to 6th September.

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Some Inspiration.

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Blending Text Onto A Background

I am happy to share with you a tutorial by FiretruckMama who very generously wrote this for us.

Instead of having a title that appears to be floating above the background, like this:

before_example

…why not have it be part of the background, like this?

after_example

Using the “Blend If” tool in Photoshop, you can create this more realistic effect for titles on heavily textured backgrounds in your layouts.

Note: How much to have your title blend into the background is a personal preference. This tutorial provides guidelines on how to achieve the effect. However, it not an exact science and will require some trial and error on your own layouts.

Creating an Effective Title
Typically there are three things to consider before creating a blended title:

Typeface
This includes not only the font, but also the boldness and size. A small thin font, such as Helvetica, may not be as effective a title as a pre-distressed font such as Subway Novella.

Background Texture
A heavily textured background, such as layered plaster, is rougher than smooth paint.

Title Placement

Where your title appears on the page often affects how much fading the title requires. The title may fade into the background more in darker areas of the layout.

Example.

type_example

From the example above, the larger and bolder the font, the easier it is to see on the background.

With the above three things in mind, let’s get started.

Step 1: Open your background and add some type.
In this example, I used one of the papers from the Welcome Kit by NutkinTailz Designs. I added a new type layer. The font is Pacifio, size 100. I copied the title, changed the colour, and created a “shadow” for the title to make it stand out on the page. I then merged the two title layers together.

Example 1 – Background.

before_example

Step 2: Add a Blending Option
Select the title layer. Right-click on it. A fly-out menu appears. Select Blending Options at the top of the menu.

Example 2 – The Layer Options Menu.

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The Layer Style Menu appears.

 Example 3 – Layer Style Menu.

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Step 3: Reduce the Opacity
Reducing the opacity of the title helps achieve a slightly worn and faded look. Depending upon the size of the title, the Opacity can be reduced from 100 to between 90 and 95%.

Example 4 – Reducing the Opacity allows the background to show through the type.

example_4_opacity

Step 4: Blend If options
The “Blend If:” section is at the bottom of the Layers Style Menu.

Example 5 – Blend if options.

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There are two bars in this section. At first glance they look identical. They both have a gradation from black to white along with black and white sliders underneath them. However, they do different things.

The top bar is labeled “This Layer.” This bar affects the currently selected layer.

The bottom bar is labeled “Underlying Layer.” This bar affects every layer below the currently selected layer.

Underneath each bar are two sliders – one black and the other white.

The black slider affects the darkest areas of the layers. The white slider affects the lightest areas of the layers. The further the sliders are moved toward the opposite direction, the greater the range being affected.

Moving the sliders for the top bar causes areas of the currently selected layer to disappear from view.

Moving the sliders for the bottom bar causes areas of the layer(s) beneath the currently selected layer to show through the selected layer.

Blend If: This Layer versus Blend If: Underlying Layer Examples 

While the above explains how this works, it is much easier seeing this section in action.

Blend If: This Layer 
In examples 6 & 7 below, only the “Blend If: This Layer” bar has been modified. As the title layer is selected, only that layer is affected by the changes.

In Example 6, the black slider is moved to 164. Notice that the blue shadow around the title has disappeared. The black slider affects the darkest areas of the layer, in this case the blue shadow.

Example 6 – Blend if: This layer black slider moved.

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In Example 7, the white slider is moved to 190. Notice that the white title has disappeared. The white slider affects the lightest areas of the layer, in this case the white text.

Example 7 – Blend If: This layer white slider moved.

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As the type should look as if it was painted onto the background, the background needs to show through the type. In this case, modifying the “Blend If: This Layer” bar doesn’t create the desired effect.

Blend If: Underlying Layer 
In examples 8 & 9 below, only the “Blend If: Underlying Layer” bar has been modified. As the title layer is selected, the underlying layer, in this case the background, is affected by the changes.

In Example 8, the black slider is moved to 123. Notice that the background shows through the title in a number of places. This is especially evident in the word “Here,” where there is a dark patch in the background and the letters E and R appear to be painted atop this section.

Example 8 – Blend If : Underlying Layer black slider moved.

example_8

In Example 9, the white slider is moved to 207. Notice that some of the letters appear faded into the background.

Example 9 – Blend If: Underlying layer white slider moved.

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The above examples show that modifying the “Blend If: Underlying Layer” bar is the way to produce a faded title effect. Example 10 shows both sliders moved, creating a better-faded text effect.

Example 10 –  Blend If: Underlying layer with both sliders moved.

example_10

Although this looks more realistic than just adjusting one of the sliders, it isn’t quite true to life. The title is either showing or it isn’t. There isn’t a transition, or fading, in the title. A transition must be created to make it appear more realistically faded into the background. To do that, the sliders need to be split.

Step 5: Split the sliders and adjust as necessary.
To create more of a transition between the two layers, hold down the Alt (Window) / Option(Mac) key and click the black slider. This causes the slider to split in half. (If the slider doesn’t split in half, drag one side of the slider to one direction instead.) Example 11 shows both sliders split:

Example 11 – Sliders Split.

split_sliders

With the black slider now split in two, there is more control over where the blending begins and ends. The left slider notes where the blending begins. The right slider notes where the blending ends. The range between is the amount of transition. Unfortunately here’s no set range for backgrounds, so some manipulation is required to get the desired effect.

In Example 12, the range of black is 82 to 162 and the range of white is 178 to 234.

 Example 12 – Final result.

example_12

Example 13 shows the importance of where the title is placed. For this example, I duplicated the title and moved it to the bottom of the background. It was nearly impossible to view on the background as there was a lot more black in this lower section. So, I reopened the Blending Options menu and moved the sliders until the title looked more realistic.

Example 13 – Moving the title required adjusting of the sliders.

example_13

What about other backgrounds – such as wood or fabric? This technique works on them too.

wood_example

Some Sample layouts.

Paint-Splats

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Have fun with this technique.

Download the PDF file here.

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August Challenges

We are excited to tell you about our new monthly challenge in the Pixels forum. Every month we will inspire you to create your own My Life Book. The first challenge for August will be your book cover. We would love you to come along and join us in this fun challenge, you wont be disappointed.

My Life

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Other challenges you will find in the forum include:

PotPourri

Generations
Where I Live

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Word Prompt

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Word Art

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